My artistic practice lies at the intersection of documentary photography, reportage, portraiture and conceptual photography. I am interested in photography as a tool for exploring social reality, memory and power relations, as well as a medium capable of revealing what is repressed, absent or marginalised.
The starting point for my work is careful observation and journalistic experience, which I translate into the language of images. For me, a document is not a neutral record — I treat it as a construction, an act of choice and responsibility. In my conceptual projects, I consciously use form, archive, repetition and understatement to explore the boundaries between fact and interpretation, presence and trace.
A special place in my work is occupied by themes related to individual and collective memory, the agency of the absent, the experience of loss, corporeality, and the social dimension of intimacy. I understand portraiture as a relational process based on trust and co-presence, rather than an act of aestheticisation.
I study photography at the Academy of Art, where I develop conceptual practice and critical thinking about the image, the medium and its social consequences. I work on long-term authorial projects as well as in exhibition, publication and site-specific forms.
My artistic activities are situated between document and concept, between record and interpretation — as an attempt to ask questions about who and what photography serves and what forms of presence it can still take today.